Showing posts with label podcast. Show all posts
Showing posts with label podcast. Show all posts

Friday, December 30, 2022

Bad Books of 2022

Other year-end lists celebrate the sublime, and I will get there, too.  Just not today.  Today, I start my 2022 reading recap as I always do: by sparing other readers the books that I wish I'd been spared myself.  Life's too short.

Worst of the Year: Fiction

in which, I note as I write this, I take issue more with editors than with authors while griping about books I got for free due to the kindness of strangers (what a peach!)

Razorblade Tears, S.A. Cosby, 2021

Having enjoyed and been intrigued by S.A. Cosby's Blacktop Wasteland, I put the follow-up book on my to-read list.  Imagine my delight when I saw a copy in a neighborhood Little, Free Library.  Sitting down to write this review of that follow-up book, I had a whole theory that Razorblade Tears's flaws could be explained by a rush to publication following the acclaim of Cosby's debut in Blacktop Wasteland.  Then, I discovered that Blacktop Wasteland followed his actual debut, My Darkest Prayer, by a year.  Who knew?  My theory may still hold because Blacktop Wasteland got much more critical love, winning the LA Times Book Prize and being lauded by the NY Times and NPR.  In reading Razorblade Tears, I discovered that the Book of the Month Club still exists - the cover bears multiple marks for the distinction of being the Club's selection for July 2021.


It seems rushed to production because it's poorly edited, falls into weak patterns, and has at least one automotive plot hole.  Or is that plot hole a red herring?  In the "thriller" genre, does one ever really know?  So yeah, typos don't quite abound, but there are enough of them to elicit a reader's exasperated "sheesh."  Beyond that, though, editorial laziness appears in the form of a clumsy phrase repeated verbatim in two different places in the book.  Also, characters whose bodies get absolutely messed up in Cosby's signature over-the-top violence just keep going as if nothing has happened like superheroes.  Also, no one they encounter comments on the blood and bruises that must be covering them.  Also, things happen in time and space that don't quite seem possible.  Too much happening in too short a time.  A grand estate being described as a half-acre lot (so, a tiny grand estate?).  A small business owner neglecting his business for what seems like weeks on end.  And that's after his faithful and capable assistant decides not to return to work after experiencing over-the-top violence in the workplace.  Poor execution throughout, which is a shame.  You don't need to know about the dumb plot because you shouldn't read this, but it's two homophobic dads who investigate the murders of their married gay sons because no one else is doing anything about it.  I was so happy to finish this book and move on to something else.

If the River was Whiskey, TC Boyle, 1989

So many times walking past a Little, Free Library, I see nothing I would want to read.  Every so often, though, I see a book by an author I at least know.  So it was with this paperback TC Boyle story collection.  Having enjoyed his novels and having had my trust with the short story collection genre rebuilt by some recent successes, I grabbed it not without some trepidation.  Short stories have eaten away at my trust by relying too heavily on magic for plot.  The thrill of the close observation of characters figuring their way out of challenging situations gives way to disappointment when the path into our out of the challenge is paved with magic.  It's lazy writing.  Like a foster kid who finds himself in a good placement after several bad ones, I told myself a few stories into this tome that it wasn't so bad in the world of Boyle's stories.  His writing is crisp, and he captures the human condition well.  The plots were varied and - having been written not later than 1989 - had all of the advantages of a time before cell phones - smart ones in particular.  Since I remember 1989 well, it feels strange to say these stories transported me to a different time, but I must.  Boyle brings us the Ayatollah's PR man, people dating as safe sex emerges as a necessity, and a low-end performance artist who becomes a sensation.  Around the halfway point of the collection (almost to a page), however, I began to detect an editorial strategy of putting the stories roughly in order of craziness.  By the end, there was magic, but more than that, there were characters so awful or stupid as to be really hard to read.  The fun drains out of the enterprise at that point for me.  The title story is last, and it's definitely among the best.  A devastating and finely observed few days in the life of a family with troubles.  Not happy, but if the whole book had been like that - eschewing shortcuts - I would have enjoyed it much more.

Worst of the Year: Non-Fiction

Comedy, Henri Bergson and George Meredith, 1877, 1900, 1956

Keegan Michael Key referenced this book on Mike Birbiglia's podcast.  Although our library system lists a copy, it turned out to be missing from the shelf when I looked for it.  I found a paperback copy online though an independent bookseller.  This is a strange little book.  The volume I got collects Henri Bergson's long essay "Laughter" from 1900 with George Meredith's shorter 1877 "An Essay on Comedy."  Professor and non-fiction writer Wylie Sypher edited the collection, published by Johns Hopkins in 1956, and supplies an introduction and an appendix.  Having read the introduction and slogged through the Meredith, I found the Bergson more accessible than either.  But then I noticed that Cypher's appendix runs another 65 pages.  My force of will and obstinacy could only get me to the end of the "Laughter" essay.  This is basically late-19th-century philosophy on comedy.  And you know who has two thumbs and never reads philosophy?  This guy.  Ninety percent of both Meredith's and Bergson's references are to Moliere.  As it happens, I have had some exposure to Moliere, including as a high school theater parent.  My skim level of knowledge was not enough to make philosophizing about what is funny - or rather, what was funny in the 1870s-1890s - interesting.  Bergson wrote his essay from 1884-1900.  For posterity, the main theses here are: something's funny when it's repeated, or repeated and morphed, or when people act in an automatic way beyond their power.  Something has to be human to be funny.  Animals are only funny to the extent that they remind us about how humans behave.

Self-Compassion; Stop Beating Yourself Up and Leave Insecurity Behind, Kristin Neff, 2011

This book lingered on my list for quite a while after I heard about it from Caroline Ealy, the 20-something cohost of the podcast Good Christian Fun.  When I finally started reading it, I doubted the wisdom of taking book recommendations from 20-something podcast hosts.  Neff's concepts don't strike the more wizened, hard-bitten middle-aged man who's been to some therapy and read much better self-help books as very profound.  Neff has created the academic research area of self-compassion, which she describes as having three parts: self-kindness, recognizing our common humanity, and mindfulness.  Because of the attention that self esteem gets, Neff has to continually contrast her self-compassion concept with that.  This is not about telling oneself how great one is.  It's about acknowledging what is, good or bad.  In particular, it's about dismissing the critical voice that inhabits a lot of our heads, or rather telling it "this is a moment of suffering; I'm suffering right now, and I'm going to be compassionate to myself for that suffering."  I persisted in reading the book despite not loving it in hopes that Neff's dopey-sounding message of being kind to myself would break through my defenses.  It kinda did.  This is the most self-helpy book I've read in a long time, complete with exercises in the middle of the chapters (which I didn't do).  In shorter sections revealing her own personal life and experiences, Neff does some of her best work.  Particularly at the end of the book, the concepts come together in her personal and family story in a way that does reach the profound.  This book may be the thing that certain readers need to really break through troublesome patterns in their lives.  Others may come at it like I did, more skeptically and reluctantly.  There's good stuff here for all even if the experience of reading it doesn't light up all of the revelation and insight sensors Neff might think it will.


Thursday, March 24, 2022

A Reading Resolution

The serious readers that I know contend with a common problem: the stack.

The stack of unread books, typically on or under a nightstand, that represents our best intentions of reading.  Mine has grown during the pandemic for two reasons: First, our library system has allowed renewals up to six months as long as no other patron requests the volume.  On top of that, they are not collecting fines, even for books kept beyond that six-month mark.  Second, pandemmy walks take me past a lot of Little, Free Libraries.  While many of those bear the same promise-fulfillment ratio as a high school dance, I have scored some worthwhile titles here and there.  And here. And there.

Long story, short, I entered 2022 with an untenable stack.  Two stacks, to be precise, for structural integrity reasons.  I honestly don't know if one stack would have fit between the floor and the bottom of my spindly nightstand.

A few weeks into the new year, I resolved to read what was there before bringing any new books into my life, by big library, little library, bookstore, or friend-lend.  It seemed like the right thing to do.  In part, it was a response to a sobering realization late in 2021 about just how little I will be able to read in my remaining lifetime (NBD) relative to the number of books that get published every week, let alone the span of published human history. There are so. Many. Books. Who's to say that the books under my nightstand aren't the best ones to read now?

the stack, partially reduced
Resolutions do often go awry or get forgotten, but here's a happy early status report: the stack is dwindling.  That desire for freedom to hunt up new titles again is motivating me to make more time to read.  As the first quarter of 2022 draws to a close, I have read more books YTD than in any year since 2000, when I started tracking with my current system.  That, of course, puts me on pace to break my annual record.  I'll not jinx that by saying more than that I am on pace.

The books I've finished since my resolution are a mixed bag of genres and came from a variety of recommendations/sources.  Those remaining in the stack bear a certain resemblance, which may become a problem.

Success before problems: what I've been reading to get out from under:

Shadow Divers; The True Adventure of Two Americans who Risked Everything to Solve one of the Last Mysteries of WW II, Robert Kurson, 2004

Highly readable history lent by a coworker.  I was pretty steamed when he gave me this book because it wouldn't help with my bloated to-read list (a whole separate magilla.) Teddy liked this one too before I gave it back.

Self-Compassion; Stop Beating Yourself Up and Leave Insecurity Behind, Kristin Neff, 2011

Decent.  I didn't love this as much as did the podcast host who recommended it, but it did allow me to check off a book that had occupied my to-read list for over a year.

Running the Light, Sam Tallent, 2020

Another podcast recommendation, this when the author appeared on Marc Maron's WTF. (Free podcast recs for readers who a) follow links from blog posts and b) will not hate me for adding to their to-listen list). Tallent's tale of his self-published novel during the pandemic when he couldn't book shows pulled at my heartstrings. I ordered a copy as a patron of the arts.  Marc liked the book, and I can see why. It's amazingly good for a self-published novel; especially the first half before the editing declines  A memorable if often difficult read about a road comic in full blown drug and alcohol addiction mostly bashing his way to self destruction amidst fleeting glimmers of hope.

Everything in its Place; First Loves and Last Tales, Oliver Sacks, 2019

Another coworker rec (different coworker - nice to work with smart, interesting people) that I really enjoyed.  Sacks's final essay collection, published posthumously.

The Mysterious Affair at Styles, Agatha Christie, 1920

Agatha Christie's first novel, consumed via the podcast Phoebe Reads a Mystery, which I say as a high compliment is the thing that helps me fall asleep when nothing else does.  A soothing voice reading at a measured pace a story that's just involving enough to quiet my monkey brain.

Dusk, Night, Dawn; on Recovery and Courage, Anne Lamott, 2021

Randomly picked up at the library (this is how I get myself into this stacktuation) that turned out just as I'd hoped.  Lamott is a prophet endowed with a talent for the right, unexpected turn of phrase.

That's what my momentum looks like.  My barrier is a shrinking stack dominated by memoir and biography.  That's a symptom and a problem all in one.  I'm seriously under-noveled this year and will remain so until I complete my resolution. Apparently, these books have been stack marooned because I have my doubts about them.  These genres are crap shoot categories.  I hope the highs buoy me, and the lows motivate me.  It's my only hope to get to summer novel reading.

What's your reading resolution?